Sookoon Ang
John Arndt
Backbreakerneckbrace
Wolfgang Berkowski
Brian Block
Sandra Boero-Imwinkelried
Daniel Bozhkov
Lasse Brandt
aka Bosse Sudenburg

Sarra Brill
Thomas M. Callori
Rob Carter
Suzy Cho
William Cobbing
Tyler Coburn
Lourdes Correa-Carlo
Patricia Cronin
Jen DeNike
Robert Ladislas Derr
Stanislao Di Giugno
Ra di Martino
Honoré d'O
Miska Draskoczy
Steven Eastwood
Chris Ernst
Billy Erhard
Oriana Fox
Helki Frantzen

Rainer Ganahl
Jean-Baptiste Ganne
Kate Gilmore
Mario Garcia Torres
Emil Goh
Goldiechiari
Dara Greenwald
Vincent Grenier
Hannah Henry
Rob Johannasma
John Kelly
Siew-Wai Kok
Jeroen Kooijmans
William Lamson
Penny Lane

Anna Chiaretta Lavatelli
Carl Lee
Sandra Eula Lee
Jos Lehmann
Jason Livingston
Jennifer Locke
Giuliano Lombardo
Marie Losier
Mag|nesia
Mary Magsamen
& Stephen Hillerbrand

Giulia Mainenti
Kristine Marx
Tara Mateik
Lucia Warck Meister
Jacopo Miliani
Franklin Miller
Bob Miloshevic
Vincenzo Mistretta
Liana Miuccio
Joshua Mosley
Willett Moss
Shana Moulton
Lydia Moyer
Jeremy Newman
New Humans
Nicedisc
Olaf Nicolai
Feargal O'Malley
Joao Onofre
Jimmy Owenns
Arzu Ozkal Telhan
Jose Parral
Sarah Paul
Julie Perini
Rosalind Peters
PH.ON
Alessandro Piangiamore
Cesare Pietroiusti
Frederic Post
Günter Puller
Marco Raparelli
Jack Riccobono
G. Alan Rhodes
Marxz Rosado Rios
Alessandro Sarra
Corrado Sassi
Mathew Sawyer
Jennifer Schmidt
Lisa Shenouda
& Thomas Johnson

Guendalina Salini
Cigdem Slankard
Claudia Sohrens
Mirjam Somers
Nomi Talisman
Jennet Thomas
Jennie Thwing
Nathan Townes-Anderson
Thomas Tsang
Ken Ueno
Guido van der Werve
Marcella Vanzo
Nico Vascellari
Luca Vitone
Liz Walsh
Tom Whitton
Julita Wojcik
Ed Young
Nesio Rott aka Emiliano Zelada
ZimmerFrei
Sarah Zwerling

 


Bad News / Good News

2005, 3 min. (video, color, sound)

Bad News / Good News is a video diptych, which explores representation of gender and sex, issues of stardom and melodrama in cinema.  Bad News is a video/sound collage comprised of de-contextualized representations of a woman in terror, agony or anguish.  The footage is extracted from three Turkish films entitled The Crying Woman (1967), My Beloved Hooker (1968) and They Call Me “Flashy” (1969). All three films star the same actress Turkan Soray, also known as the Sultan of Turkish cinema.  Images of the same woman reacting to tragic events accompanied by highly melodramatic music and sound effects are juxtaposed one after another. Yet, the cause of the tragedy remains unknown since the narrative is fragmented and the melodrama  is isolated. Good News, is also constructed from segments of old Turkish films, starring Cuneyt Arkin, probably the most famous actor in Turkish cinema. Unlike her female counterpart, he is always active; initiating action rather than receiving, inflicting pain rather than enduring. By juxtaposing the woman in continuous positions of weakness, passively experiencing the post-tragedy, forever reacting rather than acting with the violent, active powerful man, the video creates a splitting experience for the viewer as it builds its own music out of fragments of separate narratives.

 

CIGDEM SLANKARD

 

www.cigdemslankard.com

Cigdem Slankard was born and raised in Turkey and received her BA in translation and interpreting from Bogazici University (Istanbul, Turkey) in 1999. She first came to the United States in 1998 to study film and video at State University of New York in Binghamton. In 2002, she received a Master of Fine Arts in filmmaking from Ohio University. She has written and directed several short film and video projects including Spare Change (2002), Three Three Minutes (2001) and Palindromes (2005). Her work has been included in several exhibitions and film festivals including Istanbul International Short Film Festival in Turkey, Ohio Short Film and Video Showcase of the Wexner Center in Columbus, OH; INVIDEO, an annual international video art festival in Milan, Italy; and Exhibition 280, a national juried exhibition hosted in the Huntington Museum of Art in West Virginia.